English Golden Age Illustrator, 1845-1915 English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808-59). A series of illustrations to Tennyson's The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver William James Linton, to whom Crane was apprenticed in 1859. From 1859 to 1862 Crane learnt a technique of exact and economical draughtsmanship on woodblocks.  Related Paintings of Walter Crane :. | Diana and Endymion | Mrs.Walter Crane | Self-Portrait | At Home:A Portrait (mk46) | The Horses of Neptune (mk19) |
Related Artists:
B. Le Coffre

Hercules Seghers
1590-1638 Dutch Hercules Seghers Gallery Hercules Pieterszoon Seghers or Segers (c. 1589 ?C c. 1638) was a Dutch painter and printmaker of the Dutch Golden Age. Segers is in fact the more common form in contemporary documents, and was used by the painter himself (modern use is about equally divided between the two). He was "the most inspired, experimental and original landscapist" of his period and an even more innovative printmaker. He was probably best known to his contemporaries for his paintings of landscapes and still-life subjects; his paintings are also rare, with perhaps only fifteen surviving (one was destroyed in a fire in October 2007 ). The Stadholder, Frederick Henry, Prince of Orange bought landscapes in 1632. Many of his painted landscapes are fantastic mountainous compositions, whereas in his prints it is often the technical approach rather than the subject which is extreme. His painted landscapes tend to show a wide horizontal view, with emphasis on earth rather than sky; two in the Gemäldegalerie, Berlin had strips of sky added at the top later in the century to meet a changed taste. Apart from Coninxloo, Seghers drew from the Flemish landscape tradition, perhaps especially Joos de Momper and Roelandt Savery, but also the "fantastic and visionary aspects of Mannerist" landscape painting. A 1680 inventory of Jan van der Capelle, who owned five paintings by Seghers, describes one as view of Brussels, which if correct would presumably mean Seghers travelled there, probably when young, when his style shows most Flemish influence (in so far as the chronology of his work is clear).
Jules-Alexandre Grun
French Painter, 1868-1934